It represents the brand's turnover from the sales of finished goods through all of the distribution channels - retail, wholesale and e-commerce, after the deduction of returns, allowances for damaged or missing goods and any discounts allowed.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
in Thousands of EUR | 2012 | 2011 | Δ 2012/2011 | 2010 | Δ 2011/2010 | 2009 | Δ 2010/2009 | CAGR |
---|---|---|---|---|---|---|---|---|
Revenue | ||||||||
Operating Income |
It includes the overall revenue of the company, considering not only the sales of finished goods, but all of the sources of the company income.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
It's a measure of a company's overall profitability, i.e. how much of its sales are converting to profit. The value given is the amount of sales needed to generate one currency unit of post tax profit. Negative values mean that the company has a negative level of post tax profit. The figure is about the latest fiscal year available.
It's a key measure of success. The profit ratio measures the amount of profit generated by each single currency unit of sales. The figure is about the latest fiscal year available.
in Thousands of EUR | 2018 | 2017 | Δ 2018/2017 | 2016 | Δ 2017/2016 | 2015 | Δ 2016/2015 | CAGR |
---|---|---|---|---|---|---|---|---|
Total Revenue | ||||||||
Net Income |
in Thousands of EUR | 2018 | 2017 | Δ 2018/2017 | 2016 | Δ 2017/2016 | 2015 | Δ 2016/2015 | CAGR |
---|---|---|---|---|---|---|---|---|
Total Assets | ||||||||
Equity |
Brand doesn't have an official ecommerce
After debuting in 2005, Giambattista Valli’s eponymous line quickly found a following among celebrities and socialites. The Italian designer, who shows in Paris, excels at high-drama dresses with experimental volumes and proportion. Feminine details in the form of ruffles and bows work to balance the sharp architectural lines, and they’ve helped put his evening looks on plenty of red carpets.
As the fashion industry stared at the mounting uncertainty amid a pandemic and the consequent economi...
As another fashion month came to an end in September, a significant change in the atmosphere of the i...
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