Last fiscal year ended on December 31, 2020
Revenue - Thousands of EUR | |
---|---|
2012 | 12.517,62 |
2013 | 14.013,37 |
2014 | Get Access Now |
2020 | Get Access Now |
It represents the brand's turnover from the sales of finished goods through all of the distribution channels - retail, wholesale and e-commerce, after the deduction of returns, allowances for damaged or missing goods and any discounts allowed.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
in Thousands of EUR | 2020 | 2014 | Δ 2020/2014 | 2013 | Δ 2014/2013 | 2012 | Δ 2013/2012 | CAGR |
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Revenue | ||||||||
Operating Income |
It includes the overall revenue of the company, considering not only the sales of finished goods, but all of the sources of the company income.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
in Thousands of EUR | 2020 | 2014 | Δ 2020/2014 | 2013 | Δ 2014/2013 | 2012 | Δ 2013/2012 | CAGR |
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Total Revenue | ||||||||
Cost of Sales | ||||||||
Gross Profit | ||||||||
Operating Income | ||||||||
Net Income |
in Thousands of EUR | 2020 | 2014 | Δ 2020/2014 | 2013 | Δ 2014/2013 | 2012 | Δ 2013/2012 | CAGR |
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Current Assets | ||||||||
Total Assets | ||||||||
Current Liabilities | ||||||||
Equity |
Brand doesn't have an official ecommerce
This story unfolds at the dawn of the 20th century. The opening chapter was written by Edoardo Caovilla, who learned his trade from the great Venetian industrialist Luigi Voltan, the man who initiated the Riviera del Brenta’s distinguished history of shoe-making. Caovilla embarked on a road that was halfway between handcraft and couture, which his son, René Fernando, evolved in the Fifties, forging the link with art and fashion. With his sights set on the select top-end of the market, he became a sculptor of sophisticated evening shoes, elegant bejewelled creations, sensual super-precious chaussures. René Caovilla thus carved his niche as a creator of international standing. The Seventies saw him enter the fashion arena, thanks to a patron of excellence: Valentino Garavani. The special creative affinity nascent between the couturier and the designer led to the birth of cult objects, fetish creations carrying the signature emblem of ‘Valentino by René Caovilla. Next came the collaboration with Christian Dior, the maison with which Caovilla crafted dreamlike, richly imaginative creations, a mix of fairy tale and reality, for the Parisian catwalk. Then came the era of Chanel, when the artistic spirit of Caovilla met and melded with the rigorous stylistic genius of Karl Lagerfeld.
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