It represents the brand's turnover from the sales of finished goods through all of the distribution channels - retail, wholesale and e-commerce, after the deduction of returns, allowances for damaged or missing goods and any discounts allowed.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
in Thousands of EUR | 2020 | 2019 | Δ 2020/2019 | 2018 | Δ 2019/2018 | 2017 | Δ 2018/2017 | CAGR |
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Revenue | ||||||||
Operating Income |
in Thousands of EUR | 2016 | 2015 | Δ 2016/2015 | 2014 | Δ 2015/2014 | CAGR |
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Other Countries | ||||||
Europe | ||||||
Italy |
It includes the overall revenue of the company, considering not only the sales of finished goods, but all of the sources of the company income.
Also known as ROS - Return on Sales, it measures the percentage of sales revenue that gets 'returned' to the company as net profits after all the related costs of the activity are deducted. The figure is about the latest fiscal year available.
It's a measure of a company's overall profitability, i.e. how much of its sales are converting to profit. The value given is the amount of sales needed to generate one currency unit of post tax profit. Negative values mean that the company has a negative level of post tax profit. The figure is about the latest fiscal year available.
It's a key measure of success. The profit ratio measures the amount of profit generated by each single currency unit of sales. The figure is about the latest fiscal year available.
in Millions of EUR | 2021 | 2020 | Δ 2021/2020 | 2019 | Δ 2020/2019 | 2018 | Δ 2019/2018 | CAGR |
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Total Revenue | ||||||||
Cost of Sales | ||||||||
Gross Profit | ||||||||
Operating Income | ||||||||
Net Income |
in Millions of EUR | 2021 | 2020 | Δ 2021/2020 | 2019 | Δ 2020/2019 | 2018 | Δ 2019/2018 | CAGR |
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Current Assets | ||||||||
Total Assets | ||||||||
Current Liabilities | ||||||||
Equity |
2021 | 2020 | Δ 2021/2020 | 2018 | Δ 2019/2018 | 2017 | Δ 2018/2017 | CAGR | |
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Asia | ||||||||
United States of America | ||||||||
Europe | ||||||||
Other Countries | ||||||||
Japan | ||||||||
France |
The story of Marchese Emilio Pucci di Barsento, fashion designer, began unexpectedly in 1947 when a streamlined and revolutionary ski outfit he designed for a friend was photographed by Toni Frissell and published in Harper's Bazaar.
Working out of his grand Palazzo, still the current headquarters of the Maison, the designer began showing his collections to the international press and buyers in Florence in 1951.
He became an instant hit with American retailers who were enthralled by the explosive colours and the wearability of his simple designs.
His effortless, elegant clothing took women from day to evening and from jets to seaside cocktail parties, perfectly capturing the new sportswear sensibility and complementing the glamour of the high-rolling, jet set crowd. Throughout the 1960s and 70s, the brand zoomed to popularity.
He was crowned "The Prince of Prints" by the international fashion press who were smitten by his bold, new designs and radical approach to fashion at the time. His creations were feminine, glamorous and joyful, featuring eclectic combinations of motifs.
Like an artist, he signed all of his designs "Emilio". His designs were prized by world-renown female icons, including Marilyn Monroe, Sophia Loren, and Jacqueline Kennedy Onassis.
Ever ahead of his time, Emilio Pucci also used his design talent in a variety of non-fashion projects, including futuristic uniforms for flight attendants, the logo for the Apollo 15 space mission, porcelain tableware, bath towels and the interior of the Ford Lincoln Continental Mark IV.
Following in the founder's footsteps, the brand continues this tradition of innovative design projects, and recently produced furniture with Cappellini, a 300-foot hand-painted sail for Wally Yachts, and a collaboration with Veuve Clicquot for La Grande Dame.
Upon his death in 1992 Emilio's daughter, Laudomia Pucci, took over her father's business.
In May 2000 LVMH acquired a controlling share of the company. Since then, the Florentine brand has built its global store network to more than 50 stores, strikingly designed to embody the brand's identity and modernity, and stretching from Paris to Tokyo and from Palm Beach to Moscow.
In October 2008, the Norwegian designer Peter Dundas was appointed Creative Director of the Maison and he showed his first collection in March 2009 in Milan. His creative talent and personality are perfectly in synch with Emilio Pucci's contemporary Italian spirit.
One of the biggest elements of the fashion industry hit by the coronavirus pandemic was the fashion w...
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